Prioritizing Character Over Plot exercises

“I love opium.”

It’s a fine line between a character evoking a plot and a character reacting to their reality. A very fine line. But I believe that attention to that line can mean the difference between a scene where improvisers force a sequence of events dependent on an audience’s satisfaction with a resolution and a scene where characters are engaged in the moment of their reality with an audience reacting to – and investing in – a character’s consistency regardless of “sense.”

The following is a series of exercises geared toward prioritizing characters in-the-moment over improvisers setting-up-situations-to-be-negotiated. Continue reading

World Hopping exercise

I love World Building in improvisation. With World Building in mind we can bring focus to our Organic Formats.

The first scene of a show starts in a train; the rest of the show exists in that same train.

The first scene of a show starts with Little League players. The next scene focuses on the parents in the stands. The next scene focuses on the players’ siblings hanging out in the parking lot.

The first scene of a show introduces a reality wherein people shield their improper thoughts from heaven with an umbrella.  The next scene shows angels using the same umbrellas to shield them from God’s view.  And later we see God himself hiding his own self-doubt under an umbrella.

In our efforts to build worlds though we mustn’t lose sight of Improv As Improv Does Best, which relies at its core on heightening established Personal and Scenic Games. So how’s about we build worlds around our patterns of emotional behavior?

Here is a series of exercises I ran to that purpose… Continue reading