Improv AUDIO? That’s not a Bat? Yes.
It works. Listen.
Performers are August Butler, Becky Coppa, Shannon Rodriguez, Jason Stamm, and Jenny Stout
MY THREE RULES – Everyone in a circle. Here are my three rules.
Have a player start with one of the rules. Guaranteed, the first time they play, they’ll use “my rules” but will not be thinking at all about establishing any rules for when to deploy each move. Continue reading
Want to see a Pivot in action? Watch this Organic Group Game from the Johnsons.
Watch the Johnsons heighten the mechanics of an emotionally active first beat into a fun found-joke.
Watch as the Johnsons’ pattern recognition skills bring down the house and the lights.
There are no mistakes in patterns. If a progression builds A, B, C and Z, “Z” is not a mistake, it’s just something to be acknowledged and made part of the pattern. If A, B, C, and Z, then D, E, F and Y.
There are no mistakes in patterns. The clearer and cleaner a pattern builds, the faster it will heighten and the harder it’ll hit for the purpose of editing.
There are no mistakes in patterns. Whatever happens, don’t give up on the pattern. Follow whatever happens.
Watch the Organic Game from the Johnsons below. See how the pattern doesn’t build cleanly in a progression to a crescendo within the addition of the first four players on stage. Watch as Player Five enters stage with the proceeding pattern in mind and, rather than abandoning what’s happened, follows his predecessors with a move that secures a solid edit with the audience.
“Do we have to stick the sequence in Hey Everybody games?” students ask. No. Of course not. Play organically. Follow the game where it goes. Don’t ever feel constrained by the pattern.
But. There’s power in the pattern.
Watch the following Hey Everybody game from a Johnsons’ show. It ain’t pretty, but it’s illustrative. Watch as the gang falls away from the sequence of contributions. See what happens. Hang in there until the end where you can see that one Player’s faith in the pattern is all that’s needed to secure a satisfying edit with the audience.
Pasted and attached below are Best Practices for Improv Teachers. From “making the curriculum your own” to “take your class out for drinks the first night,” this document has tips for managing your classes better.
Got any to add? Hit up that Comments space. Continue reading
I’m enamored by memories of the Chicago teams “People of Earth” and “American Dream.” Often an audience member remembers a show by the handful of great scenes it produced. These groups of talented improvisers created memorable shows because the scenes built on each other to create a singular experience.
This post aims to provide some guidance to groups that endeavor to perform memorable shows not just memorable scenes.