Here are the list of Weaknesses – ordered to track with an improviser’s growth from novice to artist – linking to the relevant piece of the matrix:

• Vulnerable Confidence – Player is afraid to share personal, emotional depth 
  
• The Details – Player is too vague in defining scene elements 
  
• Bold Choices – Player hesitates to endow character and environment traits
  
• Self Contained Initiations – Player initiations dictate behavior, denying others the freedom of choice 
  
• Emotional Perspective – Player indicates emotion without feeling it and/or avoids emotion entirely
  
• Committed Mime – Player tells instead of shows, explains rather than exhibits
• Agreement to What Is – Player denies, negotiates or argues
  
• Reacting – Player is not affected by scene elements
  
• Active Endowments – Player focuses on elements off-stage and/or events in the past or future 
  
• Patterns of Emotional Behavior – Player acts randomly and reacts erratically
  
• Pattern Progression – Player’s contributions remain flat or are scatter-shot
  
• Capping Patterns – Player runs games into the ground
  
• Crafting Beautiful Trajectories – Players’ connections disengage audience
  
• Enabling Sustainable Scenes- Players’ choices become tired, lose impact and/or kill momentum
  
• Tertiary Additions – Player joins scene with selfish and/or insensitive intent that does not serve the scene
  
• Beat Structure Rhythm – Player fails to leverage earlier scenes in initiating later scenes in a long form
  
• Playing with Flexible Formats – Team flails without rigidly structured formats
  
• Confident Vulnerability – Player is resistant to continued learning