Objective: When we see, touch, smell and REACT to our environment, the audience can, too. If nothing else, be deliberate – your commitment to engaging the environment will enable the audience to accept any weird ass thing you do. Continue reading
BLIND SCENES – Player One starts engaged in the environment (with an action, object, atmosphere, etc.). Player Two, starting with his back to the stage, has the first line of dialogue.
• No justification necessary – If players’ initiations don’t align, they don’t have to make sense of why they’re together. They can just accept and heighten what’s happening.