Patterns and Games Montage

I am immensely proud of this show and the group that created it. It comes from The Coalition Theater’s Fall Patterns and Games Class.

In a Patterns and Games, success and failure hinged on the collective performance of the group. And…this class succeeded. Watch them all support each other through a performance that runs the gamut of games – rubric and organic, shorter and longer, lots of folks and few folks. The show is well paced, varying the use of moves from scene to scene.  Most importantly, as you can see, the group clearly had a lot of fun performing in it.  And the audience loved it. 

When improvisers follow each other, committing to taking the next step together, confident they’ll find whatever end together, the audience leans in, along for the ride. That’s improv as improv does best. Especially impressive given the size of the group, the level of collaboration shown here by a 301 class is alone worth the watch.  Enjoy!

Players are: Gerard Antoine, Sarah Berday-Sacks, Kevin Clatterbuck, Michael Farmer, Patrick Gaskill, Zachary Mann, Shannon Rodriguez, Hannah Rumsey, Max Senu-Oke, Geoff Stone, Vince Sunga, Carter Tait and Elliot Wegman

Be Dynamic: Sharpen Your Vectors

There’s more than one way to draw a straight line.

Keep Them Separated

Both scenes work in an improv context. No doubt. But I prefer the second iteration.

The second scene is more dynamic. Yes, both Bobs are altered by scene’s end and both scenes progress, but in the second scene Bob’s change is clearly delineated to establish a rhythm and to set expectations for heightening repetition with the audience.

It’s one of many improv lessons we can learn from The Clown.  Let’s learn more.
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